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Writer's Notes - By Jeanne Dininni

 
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“Sit and quiet yourself. Luxuriate in a certain memory and the details will come. Let the images flow. You’ll be amazed at what will come out on paper. I’m still learning what it is about the past that I want to write. I don’t worry about it. It will emerge. It will insist on being told.”—Frank McCourt

“You are the landlord of your own soul. Let the words, the memories, the imaginings pour white-hot onto the page. You can decide later what they are, what they might become, and when it is time to show them to someone else.”—Pat Schneider, Writing Alone and With Others (Oxford University Press, 2003), p.13



Your Gift to Your Readers

When you write, one of the greatest gifts you can give your reader is to allow yourself the freedom to fully experience and adequately explore the topics about which you write. Whether crafting magazine articles, books, blog posts, literary essays, promotional web copy, fiction, or creative non-fiction pieces, pausing to visualize your content, your concept, or the experience you hope to convey through your words will add a spark of creativity, energy, and authenticity to your work that will thoroughly engage your reader, building both intellectual and emotional rapport and drawing the reader deeper into the piece.


That Magical Connection

The opportunity for total engagement, to the exclusion of all else, is not just a gift you give your reader. It’s also a gift you give yourself, because developing a genuine connection between reader and author—one which impels the reader forward in irresistible anticipation of the gems of wisdom or journeys of fancy the work holds in store—creates an almost magical bond that allows your personal vision to become a shared vision, if only for a few brief moments. If, as a writer, you hope to totally engross your reader, you’ll find no shortcuts. The element of visualization is an integral part of the process—and you ignore it to your own creative peril.


The Spark: Creative vs. Mundane

This is one reason great writing is not necessarily synonymous with a perfect understanding of language mechanics—and that’s fabulous news for those who lack these skills yet yearn to express themselves through the written word. While mechanics are wonderful to know as a writer and will make the writing life much easier, thankfully they are not essential to the heart of self-expression. That’s why we have editors—to drape the writer’s inspired prose in appropriate dress, making it more “presentable” to “polite” literary company. Without question, the beauty must absolutely already exist in the piece for the editor to “bring it out.” If the creative spark is missing, an author’s perfect grammar, syntax, punctuation, and spelling will certainly fall short of the excellent-writing mark, and no level of editing—other than a complete rewrite—will compensate for the lack.


Writer or Editor: Power vs. Precision

Have you ever read a writer whose work was riddled with grammatical, punctuation, and spelling errors and rife with run-on sentences, yet whose prose had the power to move you…to awaken heretofore unimagined new possibilities in your soul…to open brand new vistas before you…to literally transform you from within? Has such a writer ever lifted you…transported you…swept you up on a tide of lofty ideas or vivid imaginings, depositing you delightfully onto the shores of an exciting new intellectual realm? Hopefully you’ve experienced the joy of such a profound intellectual encounter many times. Assuming you have, what component of that author’s writing do you think accomplished that singular literary feat—despite his or her shortcomings in the mechanics of the craft?


The Elements of Powerful Prose

You might answer “creativity,” “emotion,” “passion,” or even “style” or “flow.” Or, you might mention any one of a number of other elements that breathe life into an author’s writing. And you would certainly be correct, for without these complementary components, a piece of writing could never achieve “magical,” “noble,” or “transcendent” status. Yet, I submit that visualization is the creative conduit through which each of the above elements is fully realized and that, thus, the ability to generate vivid mental pictures is indispensably linked to the creation of consistently powerful prose.

Through visualization, we can expand the boundaries of our creativity to a virtually limitless degree. We can explore, relive, and even generate the myriad emotions that make our writing uniquely ours and yet strangely able to touch a chord that resonates with our reader. And we can inspire a whole world of readers to embrace the same transformational vision, the same cathartic emotion we ourselves have experienced and have so vividly conveyed. Through visualization, we can tap the primal energy that fuels our passion, sending that same passionate energy coursing through our reader’s veins.


Catch the Vision

Whatever your writing style, niche, or genre—and, equally significantly, whatever your level of ability with the mechanics of language—visualization will deliver new power, immediacy, and impact to your prose. Therefore, no matter how tight your deadline or how full your writing schedule, determine to spend a little time simply staring off into space as you write, allowing the incredible vision of all that your work can become to wash over your mind and heart and letting the limitless possibilities of imagination fuel the fires of creativity in your soul.

Visualization is not a luxury. For the serious writer, it’s as natural as breathing—a process that infuses every creative “cell” with the “oxygen” and “nutrients” it requires for vibrant health and optimal function. You may need to quiet your internal slave driver each time she reminds you sharply that you have far too much work to do to stop and feel, dream, and watch your ideas invisibly materialize in your mind’s eye. You may struggle to rein in your unnatural tendency to believe that time spent “simply” thinking instead of writing is time wasted. Yet, taking control of these unruly psychological elements will bring new freedom and vibrancy to your writing.

The ability to contemplate, reflect upon, and experience reality—or fantasy—via the mind’s eye always justifies the battle you’ll wage to make this skill your own. The concept may even seem somewhat foreign to you right now, but if it does, that’s all the more reason to give it a try. Once you’ve made visualization a normal part of your literary routine, your writing—no matter what kind it is—will develop a magic it’s never come close to before.


To your creative vision,
Jeanne


What are your thoughts on visualization as a component of writing, and how has visualization shaped your own prose?


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The following article on effective writing is reprinted here with permission, in the hope that its timely tips will help you more precisely convey the points you desire to get across to your readers--whether in a magazine or journal article, on your blog, in an ad for your product or service, in a sales letter, or in your essay, report, poem, short story, novel, or non-fiction book.

This article is Copyright 2003 by Cathy Stucker, IdeaLady.com.


Words That Work

Do you sometimes agonize over choosing just the right word for your letter, brochure, ad or other written materials? Words have meaning, and choosing the right words is important.

Headlines and titles are especially important. You want to use words that will grab the attention of readers and encourage them to read more.

As they read more, you want to persuade them. This is true whether you are writing a sales letter or brochure, a how-to book, or a novel. Writing (good writing, anyway) is designed to convince the readers of something. You may be trying to sell them something, teach them something, or get them to believe in your story. In any case, the words you choose will directly affect your success.

First of all, be precise. Is it bi-monthly or semi-monthly? You may think they are the same thing, but they're not. Bi-monthly means every two months. Semi-monthly means twice a month. There is a big difference. Make sure your words have meanings that express what you mean.

To find just the right word, use a thesaurus. I like to use the thesaurus in my word processor, because I can quickly jump from one word to another.

When using a thesaurus, however, remember that the words you see listed will be similar in meaning to your original but not identical in meaning. Make sure you fully understand the meaning of any word you might use. Back when I was working in personnel, I received a resume that referred to the applicant's "promiscuous" experience. I don't think that's exactly what
they hoped to convey (at least, I hope that's not what they meant).

There is a wonderful book called, "Words That Sell" by Richard Bayan. It is like a thesaurus for marketing copywriters. For example, if you look up "Results" you get suggestions including fast-acting, never lets you down, performs, does the job, and many others. There are categories for many types of marketing messages.

Choose words which produce the emotional response you want. Words that get attention include new, secret, free, unknown, cash, insider, etc. These words give the impression that you are letting the reader in on something special.

Use alliteration. That means words that begin with the same sound. For example, Peter's Perfect Plan or Secrets of Super Success. Hard sounds (such as p, k or t) and the s sound are especially good. Say your line out loud to see how it sounds.

Watch for hidden meanings. Words may have acquired new meanings, and those new meanings may alter the effect of your sentence. Be aware of new slang usage. Your dictionary may not be current enough to help you. (Borrow a teenager for the most up-to-date information!)

Avoid jargon (most of the time). Don't assume your readers will understand what you mean when you use a technical term or bit of jargon. Use clearly understood language. If you must use jargon, explain it. One time you can use jargon is when you know your audience will understand it, and your use of jargon will mark you as one of "them". Jargon can identify you as someone who knows an industry.

Ask for input. Ask friends and potential customers to read what you've written. What do readers think of when they read or hear your words? Do they come across as friendly or abrupt? Do they seem believable? Do they properly convey your message? If so, congratulations! If not, keep working at it.

No matter how good your writing is, it can always be improved. So, keep reading, keep writing, keep testing and revising to make your writing as good as it can be.

You'll find lots of great information on growing your business and more at http://www.freearticles.biz/. Most articles may be freely reproduced at your web site or in your print or online newsletter.

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Hope this article will prove valuable to you in your quest to make your writing all that you'd like it to be!

Happy writing!
Jeanne


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